If we represent the winter of our northern climate by a rugged snow-clad mountain, and summer by a broad fertile plain, then the intermediate belt, the hilly and breezy uplands, will stand for spring, with March reaching well up into the region of the snows, and April lapping well down upon the greening fields and unloosened currents, not beyond the limits of winter’s sallying storms, but well within the vernal zone, ­within the reach of the warm breath and subtle, quickening influences of the plain below. At its best, April is the tenderest of tender salads made crisp by ice or snow water. Its type is the first spear of grass. The senses ­sight, hearing, smell ­are as hungry for its delicate and almost spiritual tokens as the cattle are for the first bite of its fields. How it touches one and makes him both glad and sad! The voices of the arriving birds, the migrating fowls, the clouds of pigeons sweeping across the sky or filling the woods, the elfin horn of the first honey-bee venturing abroad in the middle of the day, the clear piping of the little frogs in the marshes at sundown, the camp-fire in the sugar-bush, the smoke seen afar rising over the trees, the tinge of green that comes so suddenly on the sunny knolls and slopes, the full translucent streams, the waxing and warming sun, ­how these things and others like them are noted by the eager eye and ear! April is my natal month, and I am born again into new delight and new surprises at each return of it. Its name has an indescribable charm to me. Its two syllables are like the calls of the first birds, ­like that of the phoebe-bird, or of the meadow-lark. Its very snows are fertilizing, and are called the poor man’s manure.

Then its odors! I am thrilled by its fresh and indescribable odors, ­the perfume of the bursting sod, of the quickened roots and rootlets, of the mould under the leaves, of the fresh furrows. No other month has odors like it. The west wind the other day came fraught with a perfume that was to the sense of smell what a wild and delicate strain of music is to the ear. It was almost transcendental. I walked across the hill with my nose in the air taking it in. It lasted for two days. I imagined it came from the willows of a distant swamp, whose catkins were affording the bees their first pollen; or did it come from much farther, ­from beyond the horizon, the accumulated breath of innumerable farms and budding forests? The main characteristic of these April odors is their uncloying freshness. They are not sweet, they are oftener bitter, they are penetrating and lyrical. I know well the odors of May and June, of the world of meadows and orchards bursting into bloom, but they are not so ineffable and immaterial and so stimulating to the sense as the incense of April.

The season of which I speak does not correspond with the April of the almanac in all sections of our vast geography. It answers to March in Virginia and Maryland, while in parts of New York and New England it laps well over into May. It begins when the partridge drums, when the hyla pipes, when the shad start up the rivers, when the grass greens in the spring runs, and it ends when the leaves are unfolding and the last snowflake dissolves in mid-air. It may be the first of May before the first swallow appears, before the whippoorwill is heard, before the wood thrush sings; but it is April as long as there is snow upon the mountains, no matter what the almanac may say. Our April is, in fact, a kind of Alpine summer, full of such contrasts and touches of wild, delicate beauty as no other season affords. The deluded citizen fancies there is nothing enjoyable in the country till June, and so misses the freshest, tenderest part. It is as if one should miss strawberries and begin his fruit-eating with melons and peaches. These last are good, ­supremely so, they are melting and luscious, ­but nothing so thrills and penetrates the taste, and wakes up and teases the papillae of the tongue, as the uncloying strawberry. What midsummer sweetness half so distracting as its brisk sub-acid flavor, and what splendor of full-leaved June can stir the blood like the best of leafless April?

One characteristic April feature, and one that delights me very much, is the perfect emerald of the spring runs while the fields are yet brown and sere, ­strips and patches of the most vivid velvet green on the slopes and in the valleys. How the eye grazes there, and is filled and refreshed! I had forgotten what a marked feature this was until I recently rode in an open wagon for three days through a mountainous, pastoral country, remarkable for its fine springs. Those delicious green patches are yet in my eye. The fountains flowed with May. Where no springs occurred, there were hints and suggestions of springs about the fields and by the roadside in the freshened grass, ­sometimes overflowing a space in the form of an actual fountain. The water did not quite get to the surface in such places, but sent its influence.

The fields of wheat and rye, too, how they stand out of the April landscape, ­great green squares on a field of brown or gray!

Among April sounds there is none more welcome or suggestive to me than the voice of the little frogs piping in the marshes. No bird-note can surpass it as a spring token; and as it is not mentioned, to my knowledge, by the poets and writers of other lands, I am ready to believe it is characteristic of our season alone. You may be sure April has really come when this little amphibian creeps out of the mud and inflates its throat. We talk of the bird inflating its throat, but you should see this tiny minstrel inflate its throat, which becomes like a large bubble, and suggests a drummer-boy with his drum slung very high. In this drum, or by the aid of it, the sound is produced. Generally the note is very feeble at first, as if the frost was not yet all out of the creature’s throat, and only one voice will be heard, some prophet bolder than all the rest, or upon whom the quickening ray of spring has first fallen. And it often happens that he is stoned for his pains by the yet unpacified element, and is compelled literally to “shut up” beneath a fall of snow or a heavy frost. Soon, however, he lifts up his voice again with more confidence, and is joined by others and still others, till in due time, say toward the last of the month, there is a shrill musical uproar, as the sun is setting, in every marsh and bog in the land. It is a plaintive sound, and I have heard people from the city speak of it as lonesome and depressing, but to the lover of the country it is a pure spring melody. The little piper will sometimes climb a bulrush, to which he clings like a sailor to a mast, and send forth his shrill call. There is a Southern species, heard when you have reached the Potomac, whose note is far more harsh and crackling. To stand on the verge of a swamp vocal with these, pains and stuns the ear. The call of the Northern species is far more tender and musical.

Then is there anything like a perfect April morning? One hardly knows what the sentiment of it is, but it is something very delicious. It is youth and hope. It is a new earth and a new sky. How the air transmits sounds, and what an awakening, prophetic character all sounds have! The distant barking of a dog, or the lowing of a cow, or the crowing of a cock, seems from out the heart of Nature, and to be a call to come forth. The great sun appears to have been reburnished, and there is something in his first glance above the eastern hills, and the way his eye-beams dart right and left and smite the rugged mountains into gold, that quickens the pulse and inspires the heart.

Across the fields in the early morning I hear some of the rare April birds, ­the chewink and the brown thrasher. The robin, bluebird, song sparrow, phoebe-bird, etc., come in March; but these two ground-birds are seldom heard till toward the last of April. The ground-birds are all tree-singers or air singers; they must have an elevated stage to speak from. Our long-tailed thrush, or thrasher, like its congeners the catbird and mocking-bird, delights in a high branch of some solitary tree, whence it will pour out its rich and intricate warble for an hour together. This bird is the great American chipper. There is no other bird that I know of that can chip with such emphasis and military decision as this yellow-eyed songster. It is like the click of a giant gun-lock. Why is the thrasher so stealthy? It always seems to be going about on tiptoe. I never knew it to steal anything, and yet it skulks and hides like a fugitive from justice. One never sees it flying aloft in the air and traversing the world openly, like most birds, but it darts along fences and through bushes as if pursued by a guilty conscience. Only when the musical fit is upon it does it come up into full view, and invite the world to hear and behold.

The chewink is a shy bird also, but not stealthy. It is very inquisitive, and sets up a great scratching among the leaves, apparently to attract your attention. The male is perhaps the most conspicuously marked of all the ground-birds except the bobolink, being black above, bay on the sides, and white beneath. The bay is in compliment to the leaves he is forever scratching among, ­they have rustled against his breast and sides so long that these parts have taken their color; but whence come the white and black? The bird seems to be aware that his color betrays him, for there are few birds in the woods so careful about keeping themselves screened from view. When in song, its favorite perch is the top of some high bush near to cover. On being disturbed at such times, it pitches down into the brush and is instantly lost to view.

This is the bird that Thomas Jefferson wrote to Wilson about, greatly exciting the latter’s curiosity. Wilson was just then upon the threshold of his career as an ornithologist, and had made a drawing of the Canada jay, which he sent to the President. It was a new bird, and in reply Jefferson called his attention to a “curious bird” which was everywhere to be heard, but scarcely ever to be seen. He had for twenty years interested the young sportsmen of his neighborhood to shoot one for him, but without success. “It is in all the forests, from spring to fall,” he says in his letter, “and never but on the tops of the tallest trees, from which it perpetually serenades us with some of the sweetest notes, and as clear as those of the nightingale. I have followed it for miles, without ever but once getting a good view of it. It is of the size and make of the mocking-bird, lightly thrush-colored on the back, and a grayish white on the breast and belly. Mr. Randolph, my son-in-law, was in possession of one which had been shot by a neighbor,” etc. Randolph pronounced it a flycatcher, which was a good way wide of the mark. Jefferson must have seen only the female, after all his tramp, from his description of the color; but he was doubtless following his own great thoughts more than the bird, else he would have had an earlier view. The bird was not a new one, but was well known then as the ground-robin. The President put Wilson on the wrong scent by his erroneous description, and it was a long time before the latter got at the truth of the case. But Jefferson’s letter is a good sample of those which specialists often receive from intelligent persons who have seen or heard something in their line very curious or entirely new, and who set the man of science agog by a description of the supposed novelty, ­a description that generally fits the facts of the case about as well as your coat fits the chairback. Strange and curious things in the air, and in the water, and in the earth beneath, are seen every day except by those who are looking for them, namely, the naturalists. When Wilson or Audubon gets his eye on the unknown bird, the illusion vanishes, and your phenomenon turns out to be one of the commonplaces of the fields or woods.

A prominent April bird, that one does not have to go to the woods or away from his own door to see and hear, is the hardy and ever-welcome meadow-lark. What a twang there is about this bird, and what vigor! It smacks of the soil. It is the winged embodiment of the spirit of our spring meadows. What emphasis in its “z-d-t, z-d-t,” and what character in its long, piercing note! Its straight, tapering, sharp beak is typical of its voice. Its note goes like a shaft from a crossbow; it is a little too sharp and piercing when near at hand, but, heard in the proper perspective, it is eminently melodious and pleasing. It is one of the major notes of the fields at this season. In fact, it easily dominates all others. “Spring o’ the year! spring o’ the year!” it says, with a long-drawn breath, a little plaintive, but not complaining or melancholy. At times it indulges in something much more intricate and lark-like while hovering on the wing in mid-air, but a song is beyond the compass of its instrument, and the attempt usually ends in a breakdown. A clear, sweet, strong, high-keyed note, uttered from some knoll or rock, or stake in the fence, is its proper vocal performance. It has the build and walk and flight of the quail and the grouse. It gets up before you in much the same manner, and falls an easy prey to the crack shot. Its yellow breast, surmounted by a black crescent, it need not be ashamed to turn to the morning sun, while its coat of mottled gray is in perfect keeping with the stubble amid which it walks.

The two lateral white quills in its tails seem strictly in character. These quills spring from a dash of scorn and defiance in the bird’s make-up. By the aid of these, it can almost emit a flash as it struts about the fields and jerks out its sharp notes. They give a rayed, a definite and piquant expression to its movements. This bird is not properly a lark, but a starling, say the ornithologists, though it is lark-like in its habits, being a walker and entirely a ground-bird. Its color also allies it to the true lark. I believe there is no bird in the English or European fields that answers to this hardy pedestrian of our meadows. He is a true American, and his note one of our characteristic April sounds.

Another marked April note, proceeding sometimes from the meadows, but more frequently from the rough pastures and borders of the woods, is the call of the high-hole, or golden-shafted woodpecker. It is quite as strong as that of the meadow-lark, but not so long-drawn and piercing. It is a succession of short notes rapidly uttered, as if the bird said “if-if-if-if-if-if-if.” The notes of the ordinary downy and hairy woodpeckers suggest, in some way, the sound of a steel punch; but that of the high-hole is much softer, and strikes on the ear with real springtime melody. The high-hole is not so much a wood-pecker as he is a ground-pecker. He subsists largely on ants and crickets, and does not appear till they are to be found.

In Solomon’s description of spring, the voice of the turtle is prominent, but our turtle, or mourning dove, though it arrives in April, can hardly be said to contribute noticeably to the open-air sounds. Its call is so vague, and soft, and mournful, ­in fact, so remote and diffused, ­that few persons ever hear it at all.

Such songsters as the cow blackbird are noticeable at this season, though they take a back seat a little later. It utters a peculiarly liquid April sound. Indeed, one would think its crop was full of water, its notes so bubble up and regurgitate, and are delivered with such an apparent stomachic contraction. This bird is the only feathered polygamist we have. The females are greatly in excess of the males, and the latter are usually attended by three or four of the former. As soon as the other birds begin to build, they are on the qui vive, prowling about like gypsies, not to steal the young of others, but to steal their eggs into other birds’ nests, and so shirk the labor and responsibility of hatching and rearing their own young. As these birds do not mate, and as therefore there can be little or no rivalry or competition between the males, one wonders ­in view of Darwin’s teaching ­why one sex should have brighter and richer plumage than the other, which is the fact. The males are easily distinguished from the dull and faded females by their deep glossy-black coats.

The April of English literature corresponds nearly to our May. In Great Britain, the swallow and the cuckoo usually arrive by the middle of April; with us, their appearance is a week or two later. Our April, at its best, is a bright, laughing face under a hood of snow, like the English March, but presenting sharper contrasts, a greater mixture of smiles and tears and icy looks than are known to our ancestral climate. Indeed, Winter sometimes retraces his steps in this month, and unburdens himself of the snows that the previous cold has kept back; but we are always sure of a number of radiant, equable days, ­days that go before the bud, when the sun embraces the earth with fervor and determination. How his beams pour into the woods till the mould under the leaves is warm and emits an odor! The waters glint and sparkle, the birds gather in groups, and even those unwont to sing find a voice. On the streets of the cities, what a flutter, what bright looks and gay colors! I recall one preeminent day of this kind last April. I made a note of it in my notebook. The earth seemed suddenly to emerge from a wilderness of clouds and chilliness into one of these blue sunlit spaces. How the voyagers rejoiced! Invalids came forth, old men sauntered down the street, stocks went up, and the political outlook brightened.

Such days bring out the last of the hibernating animals. The woodchuck unrolls and creeps out of his den to see if his clover has started yet. The torpidity leaves the snakes and the turtles, and they come forth and bask in the sun. There is nothing so small, nothing so great, that it does not respond to these celestial spring days, and give the pendulum of life a fresh start.

April is also the month of the new furrow. As soon as the frost is gone and the ground settled, the plow is started upon the hill, and at each bout I see its brightened mould-board flash in the sun. Where the last remnants of the snowdrift lingered yesterday the plow breaks the sod to-day. Where the drift was deepest the grass is pressed flat, and there is a deposit of sand and earth blown from the fields to windward. Line upon line the turf is reversed, until there stands out of the neutral landscape a ruddy square visible for miles, or until the breasts of the broad hills glow like the breasts of the robins.

Then who would not have a garden in April? to rake together the rubbish and burn it up, to turn over the renewed soil, to scatter the rich compost, to plant the first seed or bury the first tuber! It is not the seed that is planted, any more than it is I that is planted; it is not the dry stalks and weeds that are burned up, any more than it is my gloom and regrets that are consumed. An April smoke makes a clean harvest.

I think April is the best month to be born in. One is just in time, so to speak, to catch the first train, which is made up in this month. My April chickens always turn out best. They get an early start; they have rugged constitutions. Late chickens cannot stand the heavy dews, or withstand the predaceous hawks. In April all nature starts with you. You have not come out your hibernaculum too early or too late; the time is ripe, and, if you do not keep pace with the rest, why, the fault is not in the season.